Tuesday, April 15, 2025

Arab Cinema Shines at Cannes: Five Films to Compete in Prestigious Lineup

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The prestigious Cannes Film Festival is set to witness a vibrant display of Arab talent, as five films from the region have been selected for this year’s official lineup. From May 13 to 24, the 78th session of the festival will serve as a global platform for Arab filmmakers to showcase their creativity and storytelling prowess, marking a significant milestone in the evolution of Arab cinema on the international stage.

Two Arab films will compete for the coveted Palme d’Or, while three others vie for recognition in the “Un Certain Regard” category, a competition known for highlighting original and different storytelling. Among the entries is “Aisha Can’t Fly Anymore,” the debut feature by Egyptian director Murad Mustafa, co-produced by Saudi producer Faisal Bola. This marks Mustafa’s second appearance at Cannes, following his short film “Issa,” which won accolades in the festival’s 76th edition.

The festival will also see the screening of “Once Upon a Time in Gaza” by Palestinian directors Arab and Tarzan Nasser. Known for their bold narratives, the Nasser brothers bring a gripping tale set against the backdrop of conflict in Gaza. Meanwhile, Tunisian director Areej Al-Sahiri presents “Sky Without Land,” exploring themes of migration and womanhood in a unique Tunisian context.

Notably, two filmmakers of Arab descent are also competing in the main event. French-Tunisian Hafsia Herzi presents her film “The Mesh,” and Swedish-Egyptian director Tarik Saleh will showcase “The Republic,” continuing his tradition of crafting provocative narratives that engage and challenge audiences.

Dr. Hana Khalil, a film studies professor at the American University in Cairo, commented on the growing influence of Arab cinema: “The increasing presence of Arab films at Cannes reflects the region’s burgeoning film industry and its ability to tell compelling stories that resonate globally.”

Beyond the screenings, the festival will feature the Saudi Pavilion and an inaugural Iraqi Tent, alongside a suite representing Palestine, Algeria, and Egypt. These installations provide networking opportunities for directors, producers, and distributors, supported by major Arab film festivals like Cairo and El Gouna.

As anticipation builds, Arab filmmakers are poised to captivate audiences and critics alike, offering rich narratives and fresh perspectives. The festival promises to be a pivotal moment for Arab cinema, celebrating its past achievements while paving the way for future success.

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