“Heretic,” directed by Scott Beck and Bryan Woods, offers a chilling exploration of belief, blending horror and psychological thriller to interrogate the constructs of faith. Set against the backdrop of religious narratives, the film features a standout performance by Hugh Grant, transforming from his iconic rom-com charm into a menacing presence, deeply engaging both audiences and critics.
In “Heretic,” two young missionaries, Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) from the Church of Jesus Christ of Latter-Day Saints, visit Mr. Reed (Hugh Grant) after receiving a request for more information. The narrative takes a dark turn as Reed entangles them in a series of theological mind games, testing their faith and resilience. What begins as a seemingly innocent discussion spirals into a psychological battle, as Reed exposes the fragility of their beliefs.
The film excels in its atmospheric tension, masterfully shot by cinematographer Chung-hoon Chung, known for his work in “The Handmaiden” and “Oldboy.” His ability to create a claustrophobic environment heightens the suspense, immersing viewers in the eerie confines of Reed’s home. Critics, like James Croot from Stuff.co.nz, praise Grant’s “unforgettable” villain portrayal, turning his inherent charm into something deeply unsettling.
“Heretic” has been met with generally positive reviews, holding a fresh score across multiple platforms. Maria Lattila of Film Stories suggests entering the film with little prior knowledge for maximum impact. Film critic Mark Kermode describes it as an “adventurous roller coaster,” noting its clever use of a single location to deliver a gripping narrative.
While some critics, like Noah Berlatsky from Everything is Horrible, argue that the film struggles with genre tropes, the majority laud its innovative approach. Rich Cline from Shadows on the Wall highlights its “brainier” take on horror, driven by Grant’s compelling performance.
“Heretic” delves into profound questions about why we believe what we do, challenging viewers to reflect on the narratives they’ve come to accept. It avoids being overtly anti-religious, instead leaving the audience to ponder its themes. The film captivates with its provocative dialogue and intense character dynamics, prompting discussions on faith, free will, and the human condition.
“Heretic” stands as a significant entry in the horror genre, offering both thrills and intellectual stimulation. It is a testament to the talents of Beck and Woods, supported by exceptional performances from Grant, Thatcher, and East. Within the plot, Grant builds his argument on the concept that prophets have been assigned a mission in a narrative aiming for “control” as the main target behind religion. Although his argument dismisses the notion that one God has sent different messengers over time, Toward the film’s end, a heavenly reflection of God’s existence is revealed, countering Reed’s argument of human control based on logic and emphasizing the inevitable control of God. The film promises to leave audiences questioning their perceptions long after the credits roll, making it a must-watch for both genre enthusiasts and those seeking a deeper cinematic experience.
